Reminds us of the commercial Haynes flutes from the 1940's and 50's. It says:Ĭommercial model flute with hand-finished, oval embouchure. It does not claim this to be associated with Haynes. I think you misread the text of the Artley. I think the words Caveat Emptor are appropriate here.
Artley flute wilkins model professional#
Hopefully, some of the other professional repair techs that frequent this board will offer their insights to the issue. Eventually, Artley flutes were discontinued. Through consolidation of the product lines over the years, some of the low-end Artleys and Armstrongs were made on the same assembly lines and they shared some parts. Steinway bought UMI/Conn around 2000 and merged it with Selmer in 2003. I'm not sure what year Conn bought Armstrong. BTW, Artley was never owned by Armstrong. Whether this particular flute is worth $275 or not is debatable, but who knows? Maybe someone is willing to pay that much for it as a collectable. The Artley Wilkins model was supposedly created to compete with Haynes. While I agree that comparing it to a Haynes Commercial model is an exaggeration, many early Artleys were actually quite nice. The ad did not state that the Artley was made by Haynes, it stated that it was similar. Regarding the Artley Commercial flute, Artley flutes started around 1930 and actually made some very nice instruments for a number of years. It's the same sort of situation for antique flute repair.Īs far as I know, Artley wasn't affiliated with Haynes whatsoever as indicated in that auction and $275 for a student silver plated flute needing pads is a ripoff! On the other hand, I suspect that there are very few masons who would be qualified to do restoration work on a pyramid in Egypt. Consider this analogy: In any given area, there are probably hundreds of masons qualified to perform brick and mortar repair work. Even if they do that type of work, the cost is likely quite high because it is time consuming work billed by the hour. Many professional repair techs don't really get into doing that type of repair. Now, to address your example, antique wood flute restoration is quite a specialty. I refer pro-level brass repairs to other brass specialists, because I know that others can do a better job on those and I know my limitations.
Artley flute wilkins model free#
While I also have the tools and knowledge to do some brass work, I will only do basic brass repairs (i.e free stuck slides, simple dent removal, etc.) and only on student or intermediate-level instruments. On those, I will take on almost any needed repair from student through professional level instruments. I primarily repair flutes, clarinets, and saxes. For example, I consider myself a woodwind specialist. Some techs work only on pro-level instruments, while others work only on student-level instruments, and some do it all, at least to some degree. woodwinds, brass, or even single instruments). While NAPBIRT does have standards for membership, it cannot truly police the industry to ensure that each and every member meets the highest standards of repair.Īnother slant on this is that some techs repair all instruments, while others specialize in a subset (i.e. I suspect that all of its members consider themselves professionals. Some technicians belong to the National Association of Band Instrument Repair Technicians (NAPBIRT). In the music instrument repair industry, there is no certification required for someone to call themselves a professional repair technician. That, however, does not necessarily imply that they behave in a professional manner (as you have implied). Someone who earns income from a profession can, in the strictest sense, be called a professional. First there's the dictionary definition:
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That's a tough question to answer definitively, because there are different contexts to consider. Easy to play and sound/tone quality is amazing for a beginner flute….Emerson EF2 Student Flute.My question to you folks is this: where is the line you can draw in regards to referring to yourself as a "professional"? This is a store demo flute that has never left the store. Other features include a silver-plated nickel silver head, body and C foot, silver-plated keys with offset G and deluxe hardshell case. The years have come and gone and still the master of the flute sat behind his bench hammering and cutting… How much does an Emerson flute cost? It is a strong statement, but then again he has produced flutes under such brand names as Deford and Emerson since 1952. Are Emerson flutes still made?Įmerson DeFord may have made more hand-crafted flutes than anyone else. And you’re much better off with a used Artley than a brand new CSO. Although they’re very utilitarian in design and the build quality isn’t great, they’re not bad instruments, they’re fairly sturdy, they have a pretty good tone and intonation and they’re ideal for players with small hands.